Writer/director Céline Sciamma’s Portrait of a Lady on Fire epitomizes the type of specialty cinema that makes a cineaste’s heart go pitter patter when it plays at a favorite art house. On the other hand,...
Writer/director Céline Sciamma’s Portrait of a Lady on Fire epitomizes the type of specialty cinema that makes a cineaste’s heart go pitter patter when it plays at a favorite art house. On the other hand,...
[NOTE: This review may contain some plot spoilers.]
Anastasiya Miroshnichenko’s well-made, touching documentary Debut provides viewers with a...
Academy Award winning Australian filmmaker Eva Orner’s well-made documentary Bikram: Yogi, Guru, Predator is an 86-minute creepfest perfect for the #MeToo Movement and moment. This no-punches-pulled nonfiction film...
Noah Baumbach assembled an outstanding cast for Marriage Story, which was a last minute replacement for the scheduled screening of The Banker (maybe it was pulled for going bankrupt?) at AFI Fest. He and the...
Borderline: A Chip Off of Dusan Makavejev’s Cinematic Block
Serbian co-writer/director Ivana Mladenović’s Ivana the Terrible is many things, but one thing it most definitely is not is a sequel to Sergei...
In 1927 The Jazz Singer - the first feature length movie with a synchronized soundtrack - was released. The musical had a memorable spoken line when Al Jolson quipped: “Wait a minute, wait a minute I tell yer, you ain’t...